Balancing act







Top, jacket, shoes & clutch - ASOS // Skirt - New Look // Watch - Marc Jacobs

I'm a total sucker for oversized outerwear. There's something so cosy and cool about a slouchy but streamlined jacket in all its glory with dropped shoulders and rolled up sleeves. Cocoon coats are my absolute weakness, which makes me extremely partial to the colder months. Imagine: a boxy stripe tee paired with blue skinnies slashed at the knees, Adidas Superstars and an oversized camel coat thrown over the top. Is it even possible to send an even cooler message? 

But in the summer, boyfriend denim will do. Plus, you'll look fetchingly 90s. I like mine draped over crop tops and high waisted bottoms. 

How do you do oversized? 

M x

Luxury brand marketing vs high street brand marketing


One of the biggest shifts in fashion retailing is the increasing popularity of online shopping. Some brands have embraced the change with open arms, shifting their marketing tactics to social media. Others have struggled and stumbled with the unfamiliar shift, and in the dithering, they've fallen behind their competitors. One of the slowest sectors to adapt is the luxury fashion market.

Luxury brands are well-known for their quality, service and hefty price tag. But incorporating their prestigious presence with the online market has appeared to be somewhat challenging. A report published in 2013 by L2, a website that tracks the digital performance of brands, supports this. According to the report, a mere 11% of luxury retailers had introduced click and collect services - something which high street brands had implemented years before.

Perhaps it's partly because luxury brands want to maintain their exclusive nature. Their products are more expensive, more beautiful and more coveted than imitation items on the high street. They are referred to as "luxury" brands for a reason. Mass brands tend to 'push' products towards their customers. Luxury brands, on the other hand, often 'pull' customers towards them. Such brands appear to be exclusive communities, where only a few people, who share the brand's beliefs, are invited to join the circle. This is the difference between luxury and high street brands. If a customer wants to buy a premium Topshop coat, all they have to do is pay the price and join the newsletter. If a customer wants to buy from Burberry, they have to form a personal bond with the retailer before they can buy one of the coveted trench coats. If a luxury brand starts flaunting their marketing over social media, they increase their accessibility and lose this exclusivity.

In contrast, high street brands aim to be as accessible and inclusive as possible. For example, one of ASOS's aims is to be the world's number one fashion destination by being as synonymous to fashion as social media is to Facebook. The only way they can do this is 'pushing' their presence onto their core audience by broadcasting their values and products over their social channels. Topshop is another - they chose to launch their Spring/Summer '15 collection over social media instead of the runways of London Fashion Week, because they wanted to keep their audience in the loop in realtime. What luxury brand would do that?

Step into a luxury store and you're immediately greeted by a smiling sales assistant who asks if you need any help. In a high street store, they may smile, but they stand away because it's just not their brand's style. Luxury retailers give you a truly personalised experience. Burberry's 2014 My Burberry campaign is a prime example - they allowed the customer to engrave their perfume bottle with their own initials, and monogram a virtual version of the bottle to share on social media. It's not to say that high street brands don't pay attention to their customers - they do, but they take care of everyone and it's noticeable. The luxury retailers make it seem as though it's just you in their spotlight.

Despite these differences, a marketing strategy that covers social media plays an arguably significant role in the fashion business, whether it's the exclusive luxury or the accessible high street. Let's see how the luxury brands fight to catch up.

Social media is transforming the fashion landscape


In 2010, it was rare to see a mobile phone brandished by the front row of a fashion show. Six years later and it's rare to not see a fashion show broadcasted all over Instagram and Snapchat.

It's hardly an exaggeration to say that social media has transformed the fashion industry. It was once an industry led purely by material, but now social media leads fashion, placing advertising right in front of the core audiences. We are so hungry for content and obsessed with sharing media that fashion labels have had to become so much more engaging.

Take ASOS, for example. Their brand is based around being entertaining, exclusive and accessible by producing interactive content to engage with their audience. Their 2012 Christmas campaign featured 15 social interactions optimised for a different social channel, so the audience can access the content on the platform of their choice.

Fashion is no longer a private experience where the privileged few see the news straight away. We don't have to wait six months before we get to see the Fashion Week collections. And this is where fast fashion comes in - the high street take inspiration from the catwalks and reproduce imitation pieces for the mass public. Suddenly high fashion - or imitation pieces at least - is available to the ordinary people.

Social media has sped up the pace of fashion and in doing so, it's opened the world up to the general public. Who knows where it'll next take it?

How does the PR affect the fashion journalist?


Journalism, particularly in recent years, has often been criticised for processing and rephrasing - if at all - the words of PRs. A study conducted in 2011 by Oriella PR Network found that 62% of 478 journalists turned to PRs for stories, as they saw them as important sources. Does this suggest that PRs have control over journalists?

Fashion journalism is rather infamous for recycling press releases, which has led to the profession sometimes being disregarded by fellow journalists. PRs are said to prefer to send copy and samples to fashion publications because they know they rely on such 'gifts' for content. It is true that editors possess some degree of control over what goes in their publications, but the need for money - for example, from advertising - plays a significant role. Fashion journalists cannot ignore the PR.

Bredemeier, in a paper analysing the relationship between fashion newspapers and public relations,  wrote that "fashion journalism is journalism in name only”. In some ways, this is true. Elizabeth Walker, who was Marie Claire's executive Fashion and Beauty editor, admitted in a book about fashion journalism, that the influence of advertisers was getting stronger. Some brands even threaten to terminate their advertising contracts if they are not mentioned, which makes it harder for a fashion journalist to fulfil their ethical duty.

The bias of advertising isn't an unknown issue. Journalism and PR share a complicated relationship, because advertising is the main source of income, and without it, magazines would have to double their cover prices to make a profit. The two practices are somewhat reliant on each other - the PR helps the journalist obtain material and the journalist helps the PR's clients get coverage. Despite this, many fashion journalists are still allowing PRs to influence their writing. When will this stop?

M x

A comparison case study: Topshop vs ASOS vs Missguided


If it's not already obvious from how I've mentioned their names a multitude of times in the last few posts, Topshop, ASOS and Missguided are the three most visited destinations on my laptop, phone and tablet. If I'm ever stuck for fashion inspiration, need something to wear or just want to have a browse, I'll turn to one of those websites. Or all three.

Topshop, ASOS and Missguided are some of the most popular fashion brands for 18-34 year olds, and are each major competitors. Topshop is arguably the best known, with over 12m followers on Facebook, Twitter and Instagram, and a reputation for being the ultimate British fashion destination - a feat the brand's built up since being founded in 1964. ASOS, which was founded in 2000, holds the coveted position of the UK's leading online retailer (overtaking Topshop in 2010) and has amassed over 9m followers on its main social channels. Missguided is relatively new to the fashion landscape, but despite only being founded in 2008, the brand has 2.9m followers on the three main social platforms.

So what are the three brands doing on social media?

One of Topshop's best received campaigns was launching part of its 'Unique' Spring/Summer '15 collection on social media, namely Facebook and Instagram, instead of the runways of London Fashion Week. It was a move that made the show extremely socially accessible and critics claimed it highlighted the importance of Instagram in the fashion industry. For a world that's focused on being aesthetic pleasing, Instagram, which is arguably the most visual social channel, certainly helps to bring it out.

ASOS previewed its 2012 summer sale through a Facebook application. The app allowed customers to gain access to the sale by joining a virtual queue. While they were waiting, they were encouraged to play a series of games to earn points, and the people with the highest scores could access the sale first. There was also the option of sharing the game to earn extra points, which was a smart and somewhat unmasked incentive to broaden the campaign's reach. The app saw 174,000 people join the virtual queue and ASOS's fan base grew by 32%.

Missguided tends to include television adverts as part of their advertising strategy - perhaps because it, unlike the former two brands, isn't as well-known due to its younger age and has to rely on bigger budgeted means to ensure a wide reach of their campaigns. In 2015, Missguided collaborated with MediaCom Manchester to produce and air a 30 second advert to showcase their seasonal wear. The video featured a mixture of influential fashionistas and customers who uploaded their own footage to social media channels using the hashtag #CantIsABadWord.

All three brands work with the knowledge that their customers are young, tech savvy, fashion conscious individuals who are constantly hungry for content. As a result, their campaigns tend to be fast-paced, interactive and have the option of involving the customers (often encouraging them to join in) as this increases the reach and likelihood of being noticed. In some ways, social media has reshaped the landscape of fashion and it's interesting to see what will be next.

M x

The importance of brand loyalty in the fashion business


Brand loyalty is the ultimate goal for businesses. It's what people think when they hear a brand's name and see the logo. It determines customer behaviour. Take me, for example: there are few things that get my heart racing and my palms sweating more than the delivery of an ASOS parcel, magazine or the mere sight of the logo, peeking out at me in all its lower case Century Gothic glory. And this happens because I am loyal to the brand. Brand loyalty excites me and reminds me that ASOS is the answer to every fashion emergency or craving I have.

Firstly, what is brand loyalty? Wikipedia summarises it as "positive feelings towards a brand and dedication to purchase the same product or service repeatedly now and in the future from the same brand". Hotson, who writes for Retention Science, says it is when people are loyal to a brand because they perceive it to have better products and service than others. Todd William from Reputation Rhino notes that "the best way to increase brand loyalty is to deliver outstanding service consistently". From these definitions, we can infer brand loyalty means trusting in and returning to a brand because you see it as offering reliably better products and service than its competitors.

How important is this for fashion businesses? Brand loyalty means that customers come to your company for a particular product or service, and don't stray anywhere else for it. They want your product. And much like a reliable friend, reliable customers are nearly always guaranteed to be receptive to new products and campaigns.

Social media is the ideal playground for building brand loyalty. Technological advances have made engaging with consumers easier. Topshop, for instance, raised the bar during London Fashion Week 2014 when they launched their Spring/Summer '15 collection on social media instead of the runway. Five prominent Instagrammers were chosen to build and share their views on the range, and broadcast them across Topshop's social media channels and in the flagship Oxford Circus store. The public were also encouraged to share their own looks using the hashtag #TOPSHOPWINDOW, which enabled them to be shown on interactive screens in the flagship store. The creativity and innovativeness of this campaign was eye-catching, and helped to set the foundations for brand loyalty in new customers. What other brand would campaign in such a way? What other brand would build a bridge between the real world and the virtual land of social media?

Because social media is so fast-paced, it has become increasingly difficult to gain even just a fraction of the social spotlight. According to Zac Johnson, who writes for RingCentral Blog, it's no longer purely about monitoring viewer levels, it's also about what you do as a brand. It's one thing to shop at a brand and recommend it to your friends. It's another to constantly refresh the Missguided website for an hour because it's down due to heavy traffic but you won't give up as you're hellbent on accessing their summer sale. And that's the difference between loyalty and liking a brand because they have nice clothes at reasonable prices.

How ASOS gains and retains customers using social media


Anyone who knows me can confidently say that I love ASOS. Truly. If there's an event coming up and I have nothing to wear, I turn to ASOS. If there's a birthday in the near future and I don't know what present to get, I turn to ASOS. If I'm procrastinating, which is often the case, or just fancy a little pick-me-up, I turn to ASOS. I can honestly say I'm an ASOS girl through and through (p.s. just look at how many times their name has been mentioned. I really am obsessed, aren't I?).

When ASOS first started out in 2000 as a small online store specialising in celebrity fashion, they were making an annual profit of £1.7m. 16 years later, they've become the UK's leading online retailer, sell over 65,000 branded and own-branded fashion items and made a profit of £47.5m in August 2015.

How have ASOS managed this? More importantly, how has a relatively young, online-only retailer managed to create such a strong sense of loyalty to their brand - something many of their older competitors struggle to do?

As a company that lacks a physical store, ASOS focuses the majority of their advertising and marketing tactics on social media, and make sure that they really know their core audience. To summarise, they target their customers (the ambitious, fashion conscious 18-34 year old male/female) where they are most likely going to be found - on the various social channels that exist today. ASOS knows that young people in the 21st century are highly dependent and easily influenced by digital media that they can access any time and anywhere. They use this knowledge to gain customers and build brand loyalty.

In 2012, ASOS launched a campaign, #BestNightEver, to promote their Christmas party wear collection. The campaign, which spanned eight weeks, was innovative, highly interactive and totally focused on social media. Drawing from the knowledge that their consumers are tech-savvy and always hungry for accessible inspiration, the brand created 15 social features that were optimised for six different social channels - Facebook, Twitter, Instagram, Pinterest, Youtube and Google+ hangout - so the consumer could access the campaign's content on the platform of their choice. This spread across social media increased ASOS's social footprint and the likelihood of consumers visiting their website. Unsurprisingly, the campaign was a success.

It's not just their carefully designed social media campaigns that help them gain and retain customers. Their actions and language on social media help customers to identify with them. ASOS responds to nearly every customer comment, whether it's a complaint or query or merely someone who's excited about a purchase. Their tone is colloquial - they talk like the twenty-something fans who purchase from them, and this helps consumers connect to the brand.

Because ASOS listens to their customers, they come back. The retailer doesn't have shop assistants who can represent them, they have helpful, fashion-savvy individuals manning their social channels instead. These individuals and the interactiveness and innovative nature of social campaigns help the consumer feel pampered and included - thus persuading them to return. And from there on, loyalty develops. It's no wonder the online retailer's ruling the social landscape. What's next on the agenda, ASOS?

M x

Why fashion will always be there for me




I’m often called a “shopaholic” - a compulsive shopper - because I shop very often. Weekly, at the very least. But the thing is, I’ve seldom felt like I belong.

Everything I had, and everything I wore was never good enough. I often found myself metaphorically out of breath as I ran to catch up to the steady pace of life that everyone else had established. And the further behind I fell, the more out of touch I felt, and the more I shopped. 

For me, there’s always been a glass pane separating me from the world I live in yet never seem to quite fit in. There’s an internal void, which I fill with clothes because clothes numb the metaphorical pain, and block out the reality – at least for a little while. They flatter, appreciate and love you in the way that people never can. And most importantly, clothes will never, ever let you down. As Rebecca Bloomwood from Confessions of a Shopaholic, the ultimate autobiographical movie for the shopping enthusiasts, once said: “When I shop, the world gets better. And the world is better. But then it's not, and I need to do it again.”

Odd one out was my middle name, and I realised this when I was 10. My class were to go on a trip to Llandudno, Wales, and got into groups for rooms. My friends – there were five of us – paired up without me. Stunned, I struggled to find another group. But nobody wanted the girl in the glasses and the brick phone. Everyone else had flip Motorolas with bluetooth and were constantly sharing songs with each other. I still remember their condescending gazes. “You want to be in our group? Not with that hair, not in those specs and definitely not in those socks!” they screeched at me inside my head, and then linked arms with their other best friends – the ones with the blonde curly hair and the much-coveted sterling silver earrings with the dangly star-shaped diamonds from Claire’s Accessories.

My early teens were difficult. They mainly consisted of hesitant words – I was a shy girl – and regular features of blind fashion blunders in the dark as I tried to fit in and discover myself at the same time. I still remember the rocker phase. When I was 14, I used to play the Lostprophets and My Chemical Romance at top volume, and was in love with bright hoodies, heavy kohl-rimmed eyes and coloured skinny jeans. Remember the Piczo websites? I had one with a red and black theme, with bleeding roses and crying outlines of profiles - the trademark of a teenager trying so desperately hard to appear rebellious. Then I got Myspace and that was full of cryptic quotes and photos cast in half shadow that were captioned with song lyrics. It drove my parents out of their minds, but I didn’t care. It was what everyone else was doing, and I just wanted to fit in, because to my wildly hormonal and moody adolescent self, fitting in was the most important thing. 

I spent the better half of my sixth form years religiously stalking and memorising fashion bloggers on Instagram. Their clothes and their life in that one carefully filtered square image - it looked like perfection. I tried to become like one of them - setting up my first blog when I was 17 and hashtagged my images like crazy. But I didn't have the right camera, I didn't know how to Photoshop and I didn't have my own personality. 

I’m 22 now, and I still sometimes feel like the unnecessary spare part. I’ve grown up as peers shunned me, and friends ditched me in favour of cooler, prettier people. To me, shopping and clothes are a reminder that people change and they leave, but fashion will always be there for you. 

M x





Crop top - Missguided // Skirt - Mango // Sleeveless blazer - Missguided // Boots - Zara